Half a Day in Bangkok: The Grand Palace
On my second weekend in Bangkok, it was finally time to move from a hotel into my long-term accommodation. Fortunately, I secured a place very close to my office and just across the road from the hotel, so I did not have to lug my luggage too far in the sweltering heat. I found my apartment nice and tidy with two sets of air conditioners, a small kitchen with a fridge, and a spacious living room. Its only downside is that it is on the fourth floor of a house without air-conditioned staircases.
The windows of my living room face south-westwards, forming
a contiguous row from corner to corner and welcoming plenty sunlight in the
afternoon hours. The view is not particularly remarkable. The room looks out
over a cobweb of roads woven in between several multi-storey buildings. Almost
entirely hidden behind one of these nondescript grey structures crouches the Wat
Bowonniwet Vihara, which draws attention to itself with its partly visible
golden chedi. The small window in my bedroom faces the opposite direction,
looking straight at the tall wall of the army complex across the road. I assume
it had to be built small for security reasons, or perhaps the architect of this
building decided that with such a huge wall blocking the sunlight, a large
window would have been pointless.
It was noon by the time I finished moving in, so I set
off for the city in hopes of finding food and seeing a few sights. In an alley
near the infamous Khaosan Road I found an Indian restaurant; I could tell it
was Indian because the large-screen TV was employed solely to beam a still
image of a smiling Hindu goddess. The restaurant appeared to be directed by a
group of three related women, who from the leisure of their table bossed around
the only waiter in the establishment. Meanwhile, another man – apparently
loosely affiliated with the restaurant – went around making conversation with
the guests. I overheard him complaining to a Russian lady that it was far too
cold in Yakutsk, and as soon as he found out I was from the Czech Republic, he
told me Prague was where he caught chlamydia and gonorrhoea.
The main item on my itinerary was the Grand Palace, a
sprawling and richly decorated complex that houses the Temple of the Emerald
Buddha. Despite serving as the official residence of the Thai monarch since
Bangkok’s founding in 1782, a significant portion of the palace is accessible
to the public, as the king now lives in a palace to the north of the historical
centre. Still, the Grand Palace continues to be used for official functions,
which may explain why, on my way there, I happened upon a large military
procession. Led by a marching band, it continued with a whole host of soldiers
carrying the country’s two most prominent flags: the national flag and the yellow
flag of the king. Behind them rode a small car with tinted windows, and
following it was a group of high-ranking male officials and another group of
female ones. A large van carrying a squad of cameramen trailed the group at
some distance.
One enters the Grand Palace through the Temple of the
Emerald Buddha, which is the most finely decorated part of the entire complex.
Enclosing its chedis and giant guardian statues, the inner walls of the arcades
depict scenes from the Ramakien, the Thai version of the Ramayana. I overheard an
Indian tourist tell his tour guide that the story of the main antagonist,
Ravana, is very different in India, which I found rather odd as the Ramayana
varies from region to region. In some parts of India, Ravana is in fact more of
a tragic character than a villain.
On a high throne at the very centre of the temple
complex sits the famed Emerald Buddha. Made of jasper rather than emerald, the
statue was created in the first century BCE in Patna, India – so say the Khmer
chronicles, at least. Due to political unrest, the Buddha was taken to Sri
Lanka and then Angkor Wat in Cambodia, from whence it was stolen by the
invading Thai army. According to the more popular account in Thailand, however,
the Buddha was revealed in the northern Lan Na kingdom by the strike of a
lightning bolt. The statue spent two hundred years in Laos after a dynastic
union and was only brought to Bangkok by an invading Thai army in 1779.
Dwarfed by all the finery around him, the Emerald
Buddha sits so far removed from the hall’s entrance that the details of the
statue are only barely visible. More prominent, however, are his “clothes,”
which change according to the season. In the hot season, he wears bangles on
his naked limbs and strips of gilt fabric across his chest, while in the cold
season, he covers up with a single garment from shoulders to toes. In the rainy
season, he wears the robes of a monk, leaving one shoulder bare.
The rest of the palace is not very accessible.
Tourists are funnelled along the walls of the complex before landing in front
of the palace museum, after which they may either grab a meal at the cafeteria
or visit a temporary exhibition at one of the palace halls. One can see the
main structures of the palace, of course, but only from the outside. The
excursion ends on the same road where it began – that is, to the north of the
palace complex – except by an exit closer to the river.
Having finished my excursion, I continued south along
the river to Wat Pho, a temple complex known for its massive statue of a
reclining Buddha. The pose is very popular in Southeast Asia, depicting the Buddha
at the moment of his enlightenment (which visitors also attempt to achieve by
tossing coins into 108 bronze bowls). Unlike the rest of his altogether
realistic body, the black soles of his feet are rectangular and show 108 panels
made of mother-of-pearl. One peculiarity of the temple is that it contains a
school of Thai medicine, and people frequently visit it to receive massages.
My final stop for the day was Wat Ratchabophit, which serves as the seat of the Supreme Patriarch of Thailand. Thanks to the circular cloister at its centre, the temple appears rather unusual when contrasted with its more angular counterparts across the city. Its gardens are also a singular sight, containing numerous chedis, towers, and a slender, snow-white church.
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