The Cotswolds: From Moreton-in-Marsh to Chipping Norton

It was a sunny Sunday when Luqman and I set off for the last hike of our Oxford careers. Taking the first train to Moreton-in-Marsh, we arrived a little before half past ten. Moreton-in-Marsh was very quaint. We made sure to walk through the town centre to see the War Memorial, Curfew Tower, and the Redesdale Hall, circling around Saint David’s Church on our way from the centre. All the houses were constructed using stones of a warm cream colour, including the typically austere Anglican church.

The path from Moreton-in-Marsh alternates between fields and forests, the former too warm with a shirt on and the latter too cool without one. Fortunately, I had applied sunscreen in the morning. Although we did not see the marshes for which the town was named, we did encounter many flies and other flying critters, which made us suspect that there must be some source of moisture around.

Around lunchtime, we arrived at our first stop: Chastleton House. The estate was more imposing than I expected, with walls that imitated castle turrets and a proper stone gate guarding the entrance. Adjoining the House on the side was a church, and viewing it from across the road stood a square roofed structure that would have been nice to sit in were its floor not covered in sheep poo. An interesting fact about Chastleton House is it is said to be the birthplace of competitive croquet.

We did not take a tour of the house but walked onwards along a path lined with towering ancient trees. We ate lunch in front of the Saint Mary Magdalene Church in Adlestrop, after which we bought crisps and ice cream in a nearby store. Lunch, I should remark, is a quite generous term for our meal of sweets, nuts, and puffed corn; we would have eaten something more substantial had there been any restaurant between there and the Rollright Stones, which there was not.

At long last, we reached the Rollright Stones, crossing the busy A44 to get there. Unbeknownst to me, there are several groups of stones above Little Rollright. The so-called Whispering Knights are the oldest and largest stones, once forming a proper dolmen until the collapse of the top slab. Erected around 3800 BCE, they predate the stone ring dubbed “The King’s Men” by about 1300 years. Finally, across the road one can find the King Stone, likely erected around 1500 BCE. Passers-by used to chip away parts of this stone to serve as talismans, prompting the state to enact legal protection over the site as early as 1882.

Luqman’s phone died shortly after we left the stones, so I downloaded the app with the route and continued navigating from there. The final stretch was the most tiring, and we were incensed when an old man had the audacity to nimbly run past us as we trudged our way uphill. The worst part was yet to come, though. A few minutes before Chipping Norton, I looked at my phone and saw that the next bus we were estimated to make would leave in almost an hour. It occurred to me that the line was an hourly one, which was confirmed by a quick search. The last seven minutes of our journey, therefore, were spent half-running and half-jogging to the bus stop, but the effort paid off.

The War Memorial, depicting Saint George
The building with the Curfew Tower
Curfew Tower
Redesdale Hall
Redesdale Hall again
Saint David's Church
Saint David's Church again
A house as seen from Chastleton House
Buildings by Chastleton House
Chastleton House
The gate in front of Chastleton House
A frontal view of Chastleton House
Saint Mary's Church by Chastleton
The interior of Saint Mary's Church
The same
A small structure belonging to Chastleton House
The same
Chastleton House from far away
The entrance to Chastleton House
A prancing horse
A street in Adlestrop
Another street in Adlestrop
A nice building in Adlestrop
The graveyard of Mary Magdalene Church
A church on the way from Adlestrop
More quaint fields and houses
The blossoms of broad beans
The Whispering Knights
The same
The King's Men
Individual rocks in the King's Men formation
The same
The King Stone

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