Bhutan – Day 8: Paro Tshechu

It has been our luck this entire trip that upon leaving a place, the weather there always turns nice. Sometimes, however, the sun also shines on our destination. Such was the case today, when good weather accompanied much of our bus ride from Phobjikha Valley to Paro.

On our way, we saw some new sights but eventually returned to familiar sceneries. Driving up and down all morning, the highest point we reached was Lawala Pass at 3250 metres above sea level. Soon, we found ourselves looking down at Wangdue Phodrang Dzong and the village of Rinchengang, which we saw perhaps a lifetime ago (or, in reality, four days previously). The rest of the journey seemed like a homecoming: we took a coffee break at Dochula Pass, sped past the footbridge of Tachogang Lhakhang, and stopped at a viewpoint across from Paro Dzong, a building I had spotted from the plane’s window when we first landed.

We made a small picnic on the grounds of Paro Dzong, after which we briefly toured the fortress. The main reason for our visit, however, was Paro Tshechu, a five-day festival celebrating the birth of Padmasambhava. The celebrations centre on mask dances, which take place in a courtyard above the Dzong and always attract multitudes of people dressed in their Sunday best. The dances are all allegories: we arrived during the Dance of the Lord of Death, which symbolises the divine struggle over one’s soul after death, and we departed after Drametse Ngachham, which dramatises the main obstacles a Buddhist must overcome on their path to spiritual fulfilment. It is said these dances were revealed to the terton Pema Lingpa, which would make them 500 years old.

Stupas at Lawala Pass
The same
Wangdue Phodrang Dzong
Wangdue Phodrang Dzong again
Rinchengang
Dochula Pass
The same
The same
Paro airport and Paro Dzong
Paro Dzong
Paro Dzong as viewed from the bridge
Paro Chu River
A gate at Paro Dzong
Visitors waiting for a blessing
The audience of the dances at Paro Dzong
The audience again
A dancer
Dancers in front of the Lord of Death
The same
The jester helping adjust a dancer's mask
A dancer wearing a deer mask
A Bhavachakra
Intricate woodwork at Paro Dzong
A courtyard at Paro Dzong
A view from below of the courtyard at Paro Dzong
The same
A chorten standing in the courtyard
A view from the entrance to Paro Dzong
The field above Paro Dzong
The God of Death carried around to the audience
A dancer jumping
A dance put on by older men
The Jester
Men representing female priests
The Drametse Ngachham dancers walking out onto the open air stage
Drametse Ngachham dancers
The same
The head of one of the dancers
One of the dancers playing the cymbals
A chicken dancer
Dancers interacting with each other
A frontal view of the entire group
A road leading away from Paro Dzong
Cats at a store in Paro

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