Italy from South to North – Day 4: Rome and the Vatican

We began our day by buying breakfast at a nearby pastry shop, which we ate on the way to our first destination. We were not in a particular hurry, but I forgot to tell Aron this and so he ordered take-away for both of us.

Our first stop for the day was the Archbasilica of San Giovanni in Lateran. As the seat of the bishop of Rome (i.e., the Pope), it is the city’s cathedral, which is strange considering the fame of Saint Peter’s (which is “only” a basilica). Interestingly, the complex enjoys extraterritorial status from Italy thanks to the Lateran Pacts of 1929, which were signed between Mussolini and Pius XI, establishing Vatican City as an independent state.

The name “Lateran” is also famous due to the many synods held there. The First Lateran Council (1123) confirmed the Concordat of Worms, which solved the Investiture Controversy by essentially affirming the Pope’s right to appoint bishops and abbots. It also forbade clerics from marrying or living in concubinage. The Third Lateran Council (1179) established rules for electing the Pope that are followed to this day, such as election by cardinals only and by a two-thirds majority. The Fifth Lateran Council (1512-17) famously failed to address growing popular discontent and proved unable to stop the Protestant Reformation.

Opposite the basilica, we also visited the Sanctuary of the Holy Stairs. The site comprises three staircases, with the middle staircase explicitly reserved for worshippers wishing to ascend on their knees. Along their sides and on their ceilings, the staircases are decorated with famous scenes from the Bible, such as the loss of paradise and the great flood. The staircase on the right spotlights the most important moments in the lives of Old Testament figures from Abraham to Moses.

Next, we visited the Basilica of San Clemente. Its beautiful mosaic apse is decorated with swirling patterns, saints, and animals. At its centre stands a cross with twelve white doves, while the bottom strip features twelve white sheep facing a haloed ram. Not much farther away we also visited the Basilica of Saint Peter in Vincoli, which is particularly well-known for Michelangelo’s statue of Moses. Its depiction of the patriarch with horns reflects the Latin Vulgate translation of the Bible, which substitutes the word “horned” for “exalted.”

Having visited four religious buildings in the space of less than two hours, we took a short secular break and wound our way past Trevi Fountain to the Spanish Steps and finally to Piazza del Popolo. It is really quite remarkable how heavily Ancient Egypt has influenced the face of Rome, with obelisks dotting a number of squares including Saint Peter’s itself.

Since we had booked our tickets to the Vatican Museums for one o’clock, we started to slowly make our way to the city-state along the banks of the Tiber. We crossed the Ponte Sant’Angelo to Castel Sant’Angelo and ate a quick lunch of pizza and tiramisu in the neighbourhood. Although it was still only twelve, we made it into the museums without raising a single eyebrow.

As one would expect, the museums were impressive. We did not enter with the ambition to see every object and indeed, we soon renounced even the daring hope that we might visit every room in the building. Instead, we focussed on the parts we really wanted to see, occasionally taking note of impressive artefacts and rooms along the way. My highlight was seeing Raphael’s School of Athens, which has long been familiar from the covers of various philosophy books. I learned that Raphael’s depiction included not only the ancient philosophers and scientists but also the artist himself, who gazes at the viewer with an almost cheeky expression. Also eying the viewer is the painting’s sole prominent woman, the philosopher Hypatia. I imagine her unique depiction may have something to do with Raphael being quite a ladies’ man, possibly suggesting that one such lady may have served as a model.

Upon finishing our visit to the Vatican Museums (which of course included the Sistine Chapel with its nearly touching fingers, the humanlike snake, the sinner’s flailed skin, and many other familiar details), we proceeded to Saint Peter’s Square. Having walked all the way back along the city’s massive walls, we were dismayed to find that the queue was enormous, and more of our time would go to the dogs. Nevertheless, the queue moved a little faster than we expected, and we found ourselves inside the building with the sun still far above the horizon.

It would be futile for me to attempt describing the awe that the monumental basilica inspires. Many times over, I marvelled at the giant columns and at the even heftier structure they support. Then, taking a closer look, I would notice soft details set against these massive feats of engineering, like the occasional white dove on the ceiling of a dome or in the apse’s stained glass.

We stayed at the Vatican for almost four hours, after which we walked along the Tiber hoping to get a few good shots of Saint Peter’s dome. Since it started raining, however, we decided to call off the expedition and began our walk home. On our way, we stopped by and climbed the Monument to Victor Emmanuel II, taking in the evening views of the Trajan Forum and the lit-up Colosseum. The sounds of street musicians playing the last part of Vivaldi’s summer came floating towards us through the wet darkness; I could not leave the balcony until they finished.

We ate dinner at the train station. Feeling tired of carbohydrates, I had a parmigiana and a fried artichoke, with a cannolo for dessert.

Basilica Papale di Santa Maria Maggiore
The Sanctuary of the Holy Stairs
Basilica di San Giovanni in Laterano
An angel wearing a papal tiara
Inside the basilica
The ceiling of the Lateran Basilica
The same with more detail
The interior of the Lateran Basilica
The statue of a pope
The golden decorations of the Lateran Basilica
The Scala Santa
Biblical scenes on the ceiling of a parallel staircase
The parallel staircases
The mosaic above the altar of the Basilica of San Clemente
The same
Some very chunky sheep
The mosaic cross
The Basilica of Saint Peter in Vincoli
The Moses of Michelangelo
Trevi Fountain
A detail of Trevi Fountain
A street corner by Trevi Fountain
Piazza di Spagna
Piazza del Popolo
Statues on the Piazza del Popolo
Saint Peter's Basilica
Castel Sant'Angelo
The same
Saint Peter's Basilica again
Castel Sant'Angelo again
Statues in the Vatican Museums
The personification of the River Nile, with the sixteen children symbolising the sixteen cubits of water by which the Nile rises during its annual flooding
Pericles
Plato in discussion with Aristotle
A ceiling at the museum
Michelangelo's Pietà
One of the domes of Saint Peter's
The altar of Saint Peter's
The white dove above the altar
The white dove on the ceiling of the basilica
A detail of the same
A Swiss guard
Saint Peter's Square
Saint Peter's Basilica
Chiesa di Santa Maria di Loreto and Chiesa del Santissimo Nome di Maria

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